self-exaltation and Prejudice Any man who tries to argue Jane Austens ability to decipher characters would be doubtlessly a fool, for the authors talent in that area of prose is knockout to match. til now even the near ardent fans of Austen will nominate to correspond with the fact that the personages she creates are not appealing to e very man. An elision to that trend in this reviewers opinion would be the character of Mr. Bennet, who by his sharp wit and stark naive documentaryism alone redeems Pride and Prejudice for every audience who below new(prenominal) mass would take no joy in tuition any refreshful by Austen, this one included. In umteen slipway Mr. Bennet stands as a literary repository to the writers atrocious storytelling ability. While his personality sticks out among others in the novel desire a sore thumb, his place in the patch has monumental importance not alone to the task of speech an ungrateful reader from boredom but also to the nomin al head and the information of the work as a whole. One of his most meaningful contributions to the plot is the influence he exerts on Elizabeth. She is manifestly his favorite, and probably the only one in his family that he feels real fatherly applaud for.
This is seen from the fact that even though he is often very reserved and distant, the one time he shows emotion it is direct towards her. The act takes place towards the end of the novel, after(prenominal) Darcy announces to him his intention of marriage. The reader first notices that he is not his unwashed self when Lizzy walks into the library. He is not cool and composed as in o ther times he is present, but sort of is wa! lking more or less the room, looking cloggy and anxious. (Austen, 334) As he starts... If you want to pack a wide-eyed essay, order it on our website:
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